
Dave"r" Lucius is Bowling Green, OH's secret weapon on pop music. Siting influences as diverse as Oasis (eeewww) and Neutral Milk Hotel, Dave"r" has championed a steadfast DIY punk fashion that makes your hard-core loving ass pale in comparison.
For years, Dave was the de-facto leader of bands For The Kids and Widowmaker Jones as well as being an avid "busker". I was lucky enough to have worked with Dave in a few capacities. The first impression I made on him was in my third-floor studio in BG, recording FTK's record whilst tanked on a three liter bottle of vodka. This was obviously not my best work, but FTK's spirit shined through, deviating from the majority of Bon Jovi shit-pants rock that dominated BG at the time. Even though I normally despise pop-rock, FTK brought a different angle to it: I vaguely remember a line in Dave's lyrics about ships on seas poignant enough to make Jethro Tull blush. Simultaneously medieval (like prog), pissed off (like punk), and catchy (like most good pop), Dave immediately struck me as a musician that had his shit together and definitely the brains of the operation.
Following the demise of FTK, Dave, Todd (other guitar), and Josh (the skinny motherfucker on bass) started up Widowmaker Jones, which I didn't ever get to see live.
Following his move to Minnesota, Dave joined up with Krakoa to help record their latest record, holding down bass and banjo duties.
Dave's mother had been undergoing a long, tumultuous battle with cancer that year that was nearing its end. When Dave jumps on the mic to help provide background vocals on "Skin the Zipper" during the "fuck 'em if they can not take a joke" part, he probably means it 700% more than I did.
Lately, his current musical project has taken an almost
Chinese Democracy type mystery surrounding it, recording then rerecording songs with all the zealous perfectionism of Howard Hughes, making sure everything perfect before he unleashes it to the unwitting masses.
Sorry ladies, Dave is married, one of my youngest friends to be married, and lives happily with his wife and Jack Russel Terrier, Buddy. He caught me off-guard with an unexpected IM session, which I immediately took advantage of. What follows is our conversation, edited only for continuity.
Dave: What's up?
me: Hey hey hey. In class?
Dave: No. Still on break, until Monday.
me: Feel like an impromptu twenty questions? You'll be the first.
Dave: In the immortal words of Ton Loc, Let's do it.
me: Hold up... Ready?
Dave: Yep
me: State your name, age, location, occupation, and website (if applicable) for the record please.
Dave: Dave Lucius; Minneapolis, MN; Student;
http://www.myspace.com/daveluciusmusicme: Mind you, this will all be printed. I'm not going easy on you either. Bitch.
Dave: Bring it on, mothrafucker
me: Okay, well, you've been blogging about this musical project for a while now, what is it? What's it about?
Dave: It was supposed to be me taking some songs that were not satisfactorily finished. Be they from old bands I was in, or just songs I've been trying to record over the last five years or so.
That was until I got fed up with the project and bored with the songs, and thew them out and started fresh with my most recently written song "New Wave Troubadour."
Which, incidentally, is a title I despise, but have not been able to come with anything that grabs me. I just recorded a song with my friend Robert for his Vocal Production class and that'll be the next one up, once I finish recording the rest of the instruments.
me: That can be the tough part, yeah. Is it just you? Solo?
Dave: Yes, everything is me. I suppose I'll probably need to find a drummer, as that is the instrument I am least adept at.
me: What about the Alesis? Or is it a Roland?
Dave: It's actually a Boss "Doctor Rhythm" DR-5. I haven't actually given it a lot of thought, though it would be interesting to do. I'm a big fan of Ween and that's basically what all of their first couple of records featured.
me: I never got into Ween; Magic Walter tried getting me into them, but it was meh.
Dave: I think it would be an interesting texture to use on a song or two, but I don't think I'd like to do a whole record in that fashion.
me: I've done nearly every record in that fashion, outside of the last Krakoa record. But you were there for that.
Dave: I would love to do the whole thing like the Frank Black and the Catholics records, record live straight to two-track. Live band, mixing on the fly. Alas, I don't think anyone I know has enough time/interest for the rehearsals that would be needed for something like that.
me: Guided By Voices. They aren't doing anything. Does your project have a name yet?
Dave: I've jotted a few names down. They range from "Liars + Saints" to "This Town Sure Could Use a Good Apocalypse." I suppose I'll decide that last, once I can take stock of all the tunes that will be included.
me: Sometimes it works in reverse... What's your recording rig?
Dave: I've recorded both of the tunes I have so far in Studio 3 at school. This was due mostly to availability due my penchant for waiting until the last minute to book time. I want to record the rest in Studio 7 and probably use Studio 2 to record the drums.
me: Studio 3?
Dave: Yeah, the performance area is bigger than seven but smaller than four and it has a D-Control in the control room.
me: I don't remember that one.
Dave:
http://www.ipr.edu/pages_studios/IPR-studio3.phpme: Oh, that room. That room's a piece of shit.
Dave: My friend Andrew Stewart engineered the session for "New Wave Troubadour." We booked the session during an open house, due to Student Services wanting the studios to be full.
It was probably the biggest instances of time-wasting I've ever been involved in. We got there at 10:00 AM, both exhausted after a late night before. We went upstairs got free coffee and donuts, went around to see who else booked time and eventually started setting up.
About every thirty minutes, a tour would come in and the person leading said tour would invariably put the D-Control into "Vegas Mode." The interruptions weren't too annoying for the most part, especially once Stewey told one of the groups "Oh, yeah, Vegas Mode is broken."
For those of you that don't know, "Vegas Mode" is a completely useless setting on the D-Control mix-console, where you push a button and the all the lights on the board start flashing like it's fucking a fucking pinball machine under a Christmas tree on the fourth of July. This setting exists only for the sales floor.me: HAHA!
Dave: After that they would just look through the glass in the door and move on.
me: Stewey... So what's in the instrument rig this time around? I remember in For The Kids you were using a Strat into a Muff into a Fender amp. There was a wah, too, wasn't there?
Dave: That session was recorded with my cheap-ass $100 Jay Turser acoustic that I bought for busking.
me: The same acoustic from the Krakoa sessions?
Dave: Yeah. My normal set up is: MIM Strat -> Dunlop Crybaby -> EH Big Muff -> Danelectro Fab Tone -> EH Electric Mistress Flanger -> Danelectro Pepperoni Phaser -> Ampeg SS70-C 2x10 combo amp.
me: What are you, a tap dancer? You need to lose some pedals, B.
Dave: For a while I was using an A/B/Y box into a dual 15-band rack EQ, but I did away with that once I realized it would be easier to do any of that during mixing. The "normal" setup is a hold over from when I would play live. Most of the time when I'm recording it's just one or two pedals at a time. The bass is an OLP (Officially Licensed Product) Brand knock-off of a Music Man Stingray 5-string. As I don't have a bass amp, it's always recorded direct.
me: You pussy; just sign out the amp from the tech room. They won't know.
Dave: I've done that before, but that amp is such a piece of shit anymore that I don't even bother with it. I do like the SansAmp DI for getting some interesting sounds.
me: When can we hear the fruits of your labors?
Dave: Robert's coming over to my apartment tomorrow and I'll get the session from him, then I'll probably book some time for this week or next week to record the electric guitars and bass. Then I need to figure out what I'm going to do about the drums. I'll post it to my music MySpace page and probably post a bulletin and blog about it. I'm also going to do the final mix of "New Wave Troubadour," though mostly that is not going to change much from the rough mix. What an awkwardly worded sentence...
me: No that's fine. I'm still looking at my list of standardized questions. What separates this from FTK / Widowmaker Jones? Besides Todd.
Dave: Ninety-nine percent of the songs are not about one fucked up ending of a relationship. That and they're all reggae tunes. Just kidding.
me: Okay, pick out your top 5 bands or your top five records, it's up to you.
Dave: Damn, I hope you have a while for me to think.
me: I'm doing nothing but drinking right now. It's Friday. I'm allowed to.
Dave: Cool
me: You should come help me with this case.
Dave: Maybe after I finish up some laundry. Okay, well first off, I'm just going to get a T-Shirt that says, "Fuck you, I like Oasis."
me: Heh.
Dave: As for a favorite album (I'm cross-pollinating here, hope you don't mind), one of them would have to be "In the Aeroplane Over the Sea" by Neutral Milk Hotel. Some of the greatest songwriting in history.
[A while later.] me: Jeeze-Louise, don't strain yourself. People don't really read this thing.
Dave: I'm just trying to remember a quote that I wanted to reference. Screw it. It's one of those cases that reminds me of a great quote, I'm probably horribly misquoting here, but it's something along the lines of "you can tell when something is poetry when you read it and it sends a shiver down your spine." Every time I listen to this record it does that to me during several of the songs.
me: What record? NMH?
Dave: Yeah. Built To Spill is definitely up there, too.
me: Two more...
Dave: Jimi Hendrix was a big one that got me into learning to play guitar beyond the scope of Oasis tunes.
me: One more...
Dave: Ha, Oasis just came on in iTunes.
me: One more...
Dave: For my last pick I think I have to go with Ween. If I could live in any band/artist's shoes it would be these guys. They can make any style of music they want, they put out a full-length country album for pete's sake, and even though they're pigeon-holed as the stoner band, they've written some fucking amazing tunes and don't take themselves too seriously.
me: Okay, five WORST bands. People who've done nothing but butcher music since their inception.
Dave: This will be tough too, I don't know if you know my mantra, but I firmly believe that every band/artist out there has at least one song I can get into. I haven't been proven wrong yet. That said, I'll judge this based on them as a whole, not select diamonds amidst shit.
me: Stop being a pussy.
Dave: Yeah, yeah. Jet comes to mind.
me: Jet? Fuck Jet. Fuck them square in the face.
Dave: I remember talking to my brother about them one day and he was running through all the reasons that they're dog shit and (as is common in my family) I was playing devil's advocate and said the only good quality I could attribute to them "well they are catchy." His response: "Yeah, communism was catchy too."
me: Brilliant. Quit slacking. Four more.
Dave: Creed
me: Ooh, good pick.
Dave: Oh shit, how could I forget? Fucking Three Doors Down!
me: Black Days Down? Two more.
Dave: Yngwie Malmsteen. Fuck him and Vai, Satrianni and all those other wank motherfuckers
me: Who's that band what does "Alcohol and Ass"? Not to influence your decision making process...
Dave: Wasn't it that weird supergroup with dudes from Pantera and Mudvayne?
me: Eeeeeeeeeeeeeeeeeeeeeeeeeeeeew. Suck.
Dave: One more right?
me: Yep.
Dave: Probably Foreigner.
me: Foreigner!? I thought you loved Karl.
Dave: Fucking poster boys for wuss-rock.
me: The "Foreigner Belt"!? "Cold As Ice"?
Dave: I accept it as an idiosyncracy, and love Karl despite it. I guess for honorable mention, I don't think he's among the worst, but I cannot figure out how Bruce Springsteen has a career.
me: He's the Boss.
Dave: No, Tony Danza is. Or is it Judith Light? I could never figure out which one it was.
me: Okay, latest listenings. Aside from your all-time favs, what's been in rotation lately?
Dave: Recent listens would be "You Can't Imagine How Much Fun We Are Having" by Atmosphere
me: Is that it? There's got to be more... I know you, Daver.
Dave: I'm thinking. Oh yeah, that DangerDoom record you exposed me to.
me: Good fun.
Dave: The Frank Black and the Catholics is usually in common rotation. I forgot to type "self-title record" in there
me: Keep going.
Dave: I've been trying to get into the new Radiohead record "In Rainbows" but it just hasn't happened yet. I kinda lost touch with them after "O.K. Computer." "The Bends" is still my favorite record from them. Old Crow Medicine Show. A bluegrass/alt-country band.
[Then Dave and I talk some shit I told him wouldn't be in print.]
me: Thanks.
Dave: Cool. See you.